Everything you need for a smooth trip in either direction — plus honest notes on what each editor does (and doesn’t do) with AAF. Five minutes now saves a session later.
Requirements: macOS 13 or newer (Apple Silicon) or Windows 10/11. Created projects open in Ableton Live 11 and Live 12.
The result is a genuine Live project folder: the .als, a
Samples/ folder with anything that was extracted,
converted or collected, and a plain-text conversion
report documenting what transferred and what needs your
attention.
Every Live track becomes a named AAF track; fades become real transitions; clip gain and volume automation ride along.
Every editor speaks a slightly different AAF dialect. AAF Bridge is tested against real exports from each of these — here is what to expect, including the limits that live in the editors themselves.
Samples/ automatically.Samples/ folder,
so nothing depends on Avid’s media databases.AAF is an audio-exchange format with hard limits that apply to every tool. AAF Bridge’s approach: transfer everything the format can express, and tell you clearly about the rest.
| Not in AAF | What to do |
|---|---|
| MIDI tracks | Bounce MIDI to audio before exporting from your DAW. |
| Plugins & effect chains | Bounce processed stems, or recreate the chain in the target. Plugin settings never travel through AAF. |
| Sends & bus routing | Recreate routing in the target session. |
| Tempo & time signature | Set both in AAF Bridge on import — one field, done. |
| Live’s warping | Consolidate time-stretched clips in Live (Cmd+J) before export; AAF Bridge lists exactly which clips, per track. |
Everything the conversion did — and everything it flagged — is written into the conversion report that sits next to your output. Deliver it with the session; your collaborators will thank you.
The session references media at its original location — if that drive isn’t mounted, clips go offline. Easiest fix: re-import with Collect media into project switched on; then the project folder is self-contained.
Right-click and relink to the original files — or export with Collect media next to AAF and keep the Media folder beside the AAF file when you hand it over.
Live protects every clip edge with a tiny 4 ms fade — shorter than one video frame. Frame-based editors can’t represent that, so AAF Bridge extends those micro-fades to exactly one frame on export. Your own, longer fades are untouched.
That’s the demo doing its job. A license unlocks full-length conversions — and thank you for supporting an independent tool.
Send the conversion report (the .txt next to your output) to support@aafbridge.app — it tells us almost everything we need. You’ll hear back from the person who wrote the code.