Final Cut speaks FCPXML, and almost nothing in the audio world reads it. Here’s how a Final Cut timeline becomes a native Live Set.
Final Cut Pro doesn’t write AAF. It exports its own format —
an .fcpxml file, or since FCP 10.6 an
.fcpxmld bundle — and Ableton reads neither. AAF
Bridge opens both directly and turns them into a native Live Set, so a
Final Cut cut can be scored or sound-designed in Live.
In Final Cut: File → Export XML… You get a .fcpxml file, or an .fcpxmld bundle on FCP 10.6+. Either one works.
AAF Bridge reads FCPXML and FCPXMLD directly — no intermediate step. The free demo covers the first 120 seconds.
Set the project tempo and time signature for your Live session.
A complete Live project folder and a report are written; volume automation arrives as real envelopes.
Clips sit sample-accurately with fades, clip gain, markers, and the picture on its own muted video track.
Yes — it reads both the flat .fcpxml file and the newer .fcpxmld bundle (Final Cut Pro 10.6+).
Yes — Final Cut’s volume keyframes arrive in Live as real volume envelopes. Pan is the one thing FCPXML itself doesn’t carry.
Their contents aren’t exposed in the XML — break them apart in Final Cut before exporting (the report flags any that slip through).
The free demo is the full app — it converts the first 120 seconds of any timeline, so you can open the result in Live before spending anything. $49 one-time, no subscription, runs offline. macOS.
Download the free demo Back to the overview